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Tolles Lecture Series brings acclaimed author Anne Carson for staged reading of Antigonick

“Dear Antigone, I take it as the task of the translator to forbid that you should ever lose your screams,” Canadian poet, essayist, and translator Anne Carson said to close her introduction of Hamilton’s staged reading of Antigonick. Carson’s translation of Sophocles’ tragedy abouta woman’s choice to break state law in order to honor her dead brother began as a commission for Dutch director Ivo van Hove. The director refused to work with her version and asked that she rewrite it, claiming that Antigonick wasn’t faithful enough to the original text. It’s easy to understand why Carson’s translation seems to diverge from the ancient Greek original. Carson’s Kreon is reminiscent of a preening popstar; her Antigone could bring her passionate speeches from the throne room of ancient Thebes into the streets of modern day Chicago, New York or Atlanta and not miss a beat. The snappy dialogue sneaks in references to people who lived centuries after it was written, from Hegel to Virginia Woolf to Bertolt Brecht, who famously produced a version of the play where Antigone wore a door on her back. More ...

Ahn Trio returns to Hamilton for successful concert in Wellin Hall

Another weekend of arts and entertainment on the Hill. Some students partied in concrete cubicles on the darkside. Others rode the Bernie Bus to and from the downtown bars. Elijah Weisbrod ’17, G.P. Gernelz (a pseudonym) pursued a platoon of the Mohawk Valley’s Gray Army, filing into Schambach for a night of music, and I, hoping a performance by the world-renowned Ahn Trio could break up the monotony that reigned on Saturday, Sept. 17. At 7:35 p.m., G.P.’s brusque guffawing over an espied audience member’s reading material, the Pulitzer-Prize-winning The Sympathizer (2015), was cut off when the Korean-born, Juilliard educated Ahn sisters arrived on stage into a strip-light purple. They assumed the standard positions for a piano trio: Lucia in back on piano, at stage left her twin Maria and on stage right Angella on violin. More ...

WHCL brings paris_monster to Annex

You know it’s a good sign when you’re searching for a band comparison to make, but ultimately can’t find a fitting match. A pithy “The Weeknd is an R-rated Michael Jackson” type of proclamation might make me seem like a guy who knows what he’s talking about, even if I’m just lazily avoiding adjectives. I can’t think of any satisfying encapsulation of the “paris_monster sound” however, so sit back; I’m about to actually do my job and describe my experience. More ...

F.I.L.M. showcases The Sterile Cuckoo, shot on the Hamilton College campus in 1969

F.I.L.M. showed its first film last Sunday, Sept. 18 with the screening of The Sterile Cuckoo—a film adapted from a novel of the same name by Hamilton alum John Nichols ’62. Hamilton received a sixteen-millimeter print of The Sterile Cuckoo as a gift from alum David Shepard ’62. Most of the film’s shots were also taken on the Hamilton campus. Pookie, played by Liza Minnelli, is quite an unconventional girl, daring and passionate, although she initially seems nosy and terribly goofy. She approaches Jerry, played by Wendell Burton, a guy whom she sees at a bus stop. Jerry is awestruck by her energy and spontaneity, until they become close. Although Pookie feels she is socially awkward and is unable to appreciate her physical appearance, she achieves a secure sphere with Jerry. It is not clear what attracted her to Jerry in the first place, but it is quite tangible how their relationship is gratifying. More ...

Doc Woods gives captivating performance in annual Wellin Hall concert

The Leonard C. Ferguson Professor of Music Michael “Doctuh” Woods conducted a concert in the Wellin Hall, Schambach Center for Music and the Performing Arts this past Wednesday, Sept. 14. The concert, “Sonic Science,” served as as night of tapping feet, bobbing heads and soulful smiles. Woods began the evening by introducing himself as well as The Salt City Jazz Collective, directed by Angelo Candela. The Salt City Jazz Collective: Joe Riposo, Rick Huyge, John Delia, Frank Grosso, Bob Cesari on the saxophones; Steve Carney, Jeff Stockham, Scott Rutledge and Paul Merrill on the trumpets; Mark Anderson, Angelo Candela, Bill Palange and Jim Lamica on the trombones. In addition, Guitarist Rick Balestra, Pianist Tom Witkowski, Bassist Joey Arcuri and Drummer Tom Killian made up the collective. More ...

Grammy-nominated baritone Jubilant Sykes awes audience

The Hamilton community was in for a treat this past weekend. The Schambach Center for Music and the Performing Arts presented a concert that featured Jubilant Sykes, a world-renowned baritone singer, in Wellin Hall.  Sykes is known for his unique repertoire of songs influenced by a classical, jazz and gospel musical background.  Christopher Parkening, classical guitar virtuoso, and Mark Rice, pianist, accopanied Sykes.  Sykes opened the show with “Motherless Child,” an original piece that showcased his powerful, awe-inspiring voice. His voice delighted the audience, comprised of Hamilton students and faculty and Clinton residents alike.The passion behind his song was evident to all in attendance.  More ...

Women to Watch: Females on TV

In a show called Gilmore Girls, one would assume that the strongest female roles would belong to the show’s lead characters, Lorelai (portrayed by Lauren Graham) and Rory Gilmore (portrayed by Alexis Bledel).  While these women are two fierce characters, every actress on the show adds something special. Some of the highlights, other than the three “Gilmore Girls” themselves, include Rory’s best friends, Lane Kim (potrayed by Keiko Agena) and Paris Geller (potrayed by Liza Weil).  More ...

Response to: Hollywood’s Alarming Lack of Creativity

In a tirelessly nostalgic and nostalgically tiring article on “Hollywood’s Alarming Lack of Creativity,” goon and my fellow Chinese Major Matt Burner ’17 writes on the important issues of cinema and national pride. While this specific instance of intersectionality occurs perhaps in the corn-sane gloom of Amerikkka’s heartland imagination, where collisions end in fender-benders and not fatalities, it’s still a morbid prognosis for empire and its creative capacity. Through Burner’s piece, we may learn that Jaws has had a tooth extraction, that once-prince Spielberg’s crowned head has gone the way of Kanye and Condo and that the American populace is simply “no longer interested in spending the money.” Best to leave summer block-busting to the diligent professionals at work beneath Second Avenue.  More ...

Hollywood’s Alarming Lack of Creativity

Since the release of Jaws in 1975, a surefire bet has been that movie theatres would be awash with new summer releases, more specifically blockbusters that appeal to a wide range of viewers. Besides Jaws, films such as E.T., Jurassic Park and The Dark Knight exemplify what we consider quintessential summer movies. All of these films not only possessed a story that attracted a broad audience but often also displayed technical brilliance, wowing massive crowds into purchasing tickets. Although many of these summer films often had high production costs, studios felt fairly confident in  More ...

Senses of Time: a film-based exhibit opens at Wellin Museum this weekend

Although African nations have many different cultural themes, these nations share a lot in terms of political issues. Historically, African nations have been affected by a rich combination of colonization, tyrannical governments and color-related identification, all of which became inseparable from their culture. The upcoming exhibition at Wellin Museum, Senses of Time, ties the video artworks of seven African artists into a compelling exploration of the obstacles that African cultural identity has faced across the ages. This exhibit, curated by Karen E. Milbourne of the Smithsonian National Museum of African Art and Polly (Nooter) Roberts, professor of world of arts and cultures/dance at UCLA, represents the cyclical perception of time in Africa, which is intrinsically different from the linear, developmental way time is perceived in the Western world. Senses of Time opens at Wellin Museum this Saturday, Sept. 10.  More ...

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